By Gabriel Troiano
In previous posts, I have explained how the movie industry has been shaped by its history and have highlighted its ability to influence multiple forms of activism. But what can we say about the future of this industry? Surely, by performing such an analysis, we can complete our journey and look toward the evolution of this medium.
Many trends and innovations can be noticed when reflecting on the future of the film industry, whether going to the movie theater or reading about upcoming blockbusters. According to Nicolai Hartvig, 3D technologies are being utilized all over the movie industry and are also aiding in the fight against some of the problems associated with globalization: “3D is being touted as a means to help filmmakers reach new creative heights, make millions of dollars for Hollywood studios and curb the scourge of the industry — piracy.”
Other technologies that have risen during this period of significant change can be related to the science fiction genre, a particular section that has undergone vast amounts of reformations over the past decade. In her article “Final Frontiers: Computer Generated Imagery and the Science Fiction Film”, Stacey Abbott argues that the science fiction genre has almost become attached to the utilization of CGI technologies due to its reliance on projecting futuristic plots and otherworldly characters.
Along with the invention of new technologies, the movie industry itself has become increasingly dominated by only a few companies, thus being considered an oligopoly. This form of ownership has led this media outlet to have cumulative effects on populations by asserting their dominance throughout the span of multiple years. The ability in which movies can influence people is downplayed however by opinion leaders, who in taking part in the two-step flow, provide audiences with desired amounts of messaging.
Even though these achievements have become mainstream and seemingly natural to spectators, some challenges can be noted when addressing this topic. Fred Wagner from The Guardian argues that “watching alone means the very idea of a film takes on new meaning,” further illustrating the insurgence of programs such as Netflix and Hulu that modify
the movie-watching experience entirely. Additionally, A.O. Scott and Manohla Dargis state in their article that such programs can pose a threat to movie theaters as audiences are now more inclined to pull out their tablets and enjoy entertainment in the comfort of their own homes. Finally, businesses that provide individual-oriented services are only strengthened by the fact that customers can now experience a wide range of media utilizing the simplicity of their tablets and phones, a process known as convergence.
As we move away from the bounds of traditional films, we can begin to explore the technological advances that shape this industry’s framework and its ability to influence millions of people. At the end of our journey, we have become mindful and aware of what entertainment can bring us and how we can better interpret its inner workings.
Thank you for reading!!!
Stacey Abbott- “Final Frontiers: Computer Generated Imagery and the Science Fiction Film”